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dc.contributor.authorMbaegbu, Celestine Chukwuemeka
dc.date.accessioned2018-07-24T10:22:02Z
dc.date.available2018-07-24T10:22:02Z
dc.date.issued2015-03
dc.identifier.citationOpen Journal of Philosophy, 2015, 5, 176-183en_US
dc.identifier.issn2163-9442
dc.identifier.urihttp://dx.doi.org/10.4236/ojpp.2015.53021
dc.identifier.urihttp://hdl.handle.net/123456789/2011
dc.description.abstractThis article investigates the role of music in Africa. The study is primarily motivated by the fact that music plays an indispensable role in the being of Africans at work, in politics, in their socioeconomic engagements, in religious worship, integral development, in their moral life, etc. The primary objective therefore is to ascertain the influence of music with regard to the integral development of the Africans and the overall acknowledgment of this indispensable role on the active and meaningful behavior of Africans. Using the methods of phenomenology and analysis, the findings reveal that Africans are music lovers and that music features as an indispensable handmaid of any meaningful behavior and sustainability of the being of any African person whether young or old.en_US
dc.language.isoenen_US
dc.publisherScientific Researchen_US
dc.subjectMusicen_US
dc.subjectAfrican Musicen_US
dc.subjectAfrican Moralityen_US
dc.titleThe Effective Power of Music in Africaen_US
dc.typeArticleen_US


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